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Kneeling down by her, Dorothy lays her head upon Mona's knee, and bursts out crying afresh.,

"Ah! here she is," says the duchess, looking at the girl's bright face with much interest, and turning graciously towards Mona. And then nothing remains but for Lady Rodney to get through the introduction as calmly as she can, though it is sorely against her will, and the duchess, taking her hand, says something very pretty to her, while the duke looks on with ill-disguised admiration in his face.,

"Yes, isn't it?" says Dorothy, quite in good faith; "though I don't know after all why it should be; we could see for ourselves; we knew all about it long ago!",

Three Bulls, chief of the camp, was a great man. He had a fierce temper, and when he spoke, people hurried to do what he ordered, for they feared him. He never talked loud nor called any one by an ill name. When any one displeased him or refused to do what he said he just smiled and then killed the person. He was brave. In battle with enemies he was the equal of twenty men, rushing here, there, into the thickest of the fights, and killing—always with that silent, terrible smile on his face. Because he was such a great warrior, and also because he was generous, helping the poor, feasting any who came to his lodge, he was the head chief of the Blackfeet.

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"Who has taken my orders about the sheep?" he says, in a loud voice, and in an imperious tone, his eyes growing bright but uncertain. "Tell Grainger to see to it. My father spoke about it again only yesterday. The upper pastures are fresher—greener——",

"It is quite a romance," says Jack Rodney: "I never heard anything like it before off the stage." He is speaking to the room generally. "I doubt if any one but you, Mona, would have got the will out of him. He hates the rest of us like poison.",

"Tin,—money," explains he.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.